COHERENCE IN THE PARAGRAPH
An important quality in any
good text, especially essays, is coherence. The coherence of a text
means how well its parts – its words, sentences and paragraphs – work together
and contribute to the text as a whole. An incoherent text is one that
lacks unity.
When we looked at paragraphs,
we drew attention to the importance of the topic sentence as a way of focusing
attention on one main idea for each paragraph. We also said the function of the
other sentences was to support the topic sentence by explaining, defining or
giving examples of the point expressed there. Following this advice is an
important step towards coherent essays. But there is more to it than that.
As we have seen, a
well-structured essay gains from being visually structured too – in
clear paragraphs. In the same way, the coherence of a paragraph needs to be
reflected in the language it uses. The reader, after all, is not a mind-reader,
so the job of the writer is to give him clear signals about what is to come and
how it relates to what has already been said. Reading a good text should be a
smooth ride, not a bumpy one.
A paragraph is coherent when its sentences are related to each other. Paragraph
coherence exists when each sentence in a paragraph serves a purpose and the
readers know what that purpose is.
The relatedness of sentences comes from
coherence techniques (see below). If these techniques are absent, sentences may
seem only randomly or marginally relevant to the paragraph. An incoherent paragraph rambles from idea to
idea, with no sign that the writer has thought about what communicative
purposes its sentences serve.
Common
Coherence Techniques
1.
Use transitional
expressions.
2.
Use pronouns.
3.
Use deliberate repetition.
4.
Use parallelism.
1.
Transitional Expressions
Transitional expressions are words and phrases that indicate connections among ideas. Their use is crucial in writing. Particularly in argumentative writing, the writer should consider issues related to critical thinking (such as soundness of arguments, fallacies, and flaws in premises). Try not to use the same expressions in the same piece of writing (especially if the text is short). A thesaurus may be helpful in coming up with relevant transitional expressions (but avoid weird ones). Elegant use of transitions takes practice, but inelegant use is better than no use.
Transitional expressions are words and phrases that indicate connections among ideas. Their use is crucial in writing. Particularly in argumentative writing, the writer should consider issues related to critical thinking (such as soundness of arguments, fallacies, and flaws in premises). Try not to use the same expressions in the same piece of writing (especially if the text is short). A thesaurus may be helpful in coming up with relevant transitional expressions (but avoid weird ones). Elegant use of transitions takes practice, but inelegant use is better than no use.
Common transitional expressions (others are
possible)
Relationship
|
Expressions
|
Addition
|
also, in addition, too, moreover, and,
besides, furthermore, equally important, then, finally, as well, further,
indeed, in fact, ; [semicolon]
|
Alternative
|
either…or, if only, instead, instead of, in
that case, neither…nor, otherwise, rather than, unless, whether…or, or, in
other words
|
Causation
|
as a result of, because, due to, for, on
account of, since
|
Comparison
|
similarly, likewise, in the same way, not
only…but also, as…as [e.g., as big as a house]
|
Concession
|
of course, to be sure, certainly, granted
|
Contrast
|
but, yet, however, on the other hand,
nevertheless, nonetheless, conversely, in contrast, by contrast, still, at
the same time, although, despite, even if, whereas, by comparison
|
Degree or Extent
|
for the most part, so…that [e.g., she is so
loud that she doesn't need a microphone], to some extent, to some degree, to
a certain extent, such…that [e.g., it is such a long way that I can't walk],
in part, partly
|
Example
|
for example, for instance, thus, as an
illustration, namely, specifically, such as, : [colon], in that
|
Place
|
in the front, in the foreground, in the back,
in the background, at the side, adjacent, nearby, in the distance, here,
there
|
Purpose
|
so that, to, so as to, in order to, in such a
way as to
|
Result
|
therefore, thus, as a result, so,
accordingly, as a result, it follows that, consequently
|
Summary
|
hence, in short, in brief, in summary, in
conclusion, to sum up
|
Time Sequence
|
first, second, third, next, then, finally,
afterwards, before, soon, later, meanwhile, subsequently, immediately,
eventually, currently
|
EXAMPLE [from George
Orwell's "Politics and the English Language"]:
In prose, the worst
thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you
probably hunt about till you find
the exact words that seem to fit it. When
you think of something abstract you are more inclined to use words from the
start, and unless you make a
conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense
of blurring or even changing your
meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one
can through pictures or sensations. Afterwards
one can choose--not simply accept--the
phrases that will best cover the meaning, and
then switch round and decide what impression one's words
are likely to make on another person.
2.
Pronouns
Use pronouns to connect specified nouns in
earlier sentences to the content of later sentences.
EXAMPLE: [the first two paragraphs of Lenore
Keeshig-Tobias' "He Was a Boxer When I Was Small"]
His thundering rages are most vivid, his
tears subtle. Watching and feeling for them, but unable to bridge the gap, I
learned to love, hate him all in the
same breath. No one ever knew this. They saw a kid in love with her father.
He
was a boxer when I was small. People say he
was good and would have made it had he
started younger, but he had a wife
and growing family to provide for. Amateur boxing paid nothing, but he loved it. I think he must have been about twenty-two
then. He claims that we were too
young to have seen him fight, but I
remember.
[Note that the
pronoun "he" creates coherence between the two paragraphs as
well.]
3.
Deliberate Repetition
Repeat a key term or phrase if that term or
phase is central to the ideas in a paragraph. To establish coherence in this
way, synonyms of that key term are not
useful. Furthermore, the shorter a paragraph is, the less often a writer should
use repetition (since too much repetition can be monotonous and wordy). But
deliberate repetition can be an uncomplicated way of indicating the centrality
of an idea to a paragraph. This
technique often occurs together with parallelism (see 4. below).
EXAMPLE [from Marie Nelson's Beowulf's Boast Words"]
But let us begin
as Beowulf begins, with the
situation in the land of the Danes when Beowulf arrives. As readers will remember, all promisers do not follow through by doing what they say they will do.
As Hrothgar explains to Beowulf, who has just arrived, his trusted "ōretmecgas" often promised to wait for Grendel's attack
in the meadhall.
4.
Parallelism
Parallelism (or parallel structure) is the use
of grammatically equivalent syntax in adjacent sentences or within sentences.
The repeated rhythm of parallel structures notifies the reader that the ideas
in parallel structures are related to each another. Like deliberate repetition,
overuse of parallelism can at times cause monotony and wordiness: but
consistent parallelism is extremely effective in promoting coherence, and I
recommend erring on the side of overuse in this case. Indeed, lack of
parallelism at times creates ungrammatical structures.
EXAMPLE
WEAK: James was not
only a prolific novelist but wrote essays, too, and also several plays.
STRONGER: James was
not only a prolific novelist but also an essayist and a playwright.
EXAMPLE [from Winston S. Churchill's speech on the
evacuation at Dunkirk ("Wars Are Not Won by Evacuations")]
Even though large tracts of Europe and many old and
famous states have fallen or may fall into the grip of the
Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail.
We shall go on to the end, we shall fight in France, we
shall fight on the seas and oceans, we shall fight with growing confidence and strength in the air,
we shall defend our island, whatever
the cost may be, we shall fight on the beaches, we shall fight in the landing
grounds, we shall fight in
the fields and in the streets, we
shall fight in the hills;
we shall never surrender, and even
if, which I do not for a moment believe, this island or a large part of it were
subjugated and starving, then our Empire beyond the seas, armed
and guarded by the British fleet, would carry on the struggle, until, in
God's good time, the New World, with all its power and might, steps forth to
the rescue and liberation of the old.
Exercises:
- Identify
the coherence techniques in these two paragraphs. Write in the blank the
name of the technique.)
(1) As Gene Roddenberry's James T. Kirk, William
Shatner was the embodiment of Kennedy-era sensitive macho: articulate,
reasonable and commanding, but always game to buss an intergalactic babe or
bust a Klingon jaw. If it was the role of a lifetime for Shatner, that was not
his decision to make. Fans, and the particular properties of the television
medium, would make it for him. A low-ratings earner from the getgo, Star Trek nevertheless began to build
its unprecedentedly rabid fan-base almost instantly. It was organized fan
pressure that convinced NBC to leave the show on for a third season, and it was
eventually fan pressure that made William Shatner realize that, if there was
anything worth clinging on to (so to speak) for a lifetime, it was the role of
Jim Kirk. _______________________________________________________________
(2) It first hit him in
New Jersey in 1970. After 79 episodes, Star
Trek had been cancelled, and the combination of an expensive divorce and a
residual-free contract with Paramount, which owned the series and Kirk, soon
left the actor every bit as broke as
he'd been when Roddenberry first called. By 1970, he was doing summer
stock for money, but not enough money that he didn't have to cut costs by
driving from job to job in a pickup with a camper shell on the back. As Shatner
recalls it, he was asleep in the camper, when a six-year-old boy knocked on the
door. The kid had seen the strange sleeping apparatus and wanted to ask the
inhabitant of the camper if it was a spaceship. Imagine his surprise when
Captain James T. Kirk of the Starship Enterprise came to the door. It was then
that Shatner began to realize the extent to which Star Trek, which would soon run in syndication across the States
and 100 countries, had taken a life of its own.
______________________________________________________________
B.
Combine the following sentences using suitable
transitional words or phrases.
(1) I prefer folk
music. My girlfriend adores heavy metal.
_____________________________________________________________________
(2) He’s received three
threatening letters. He is continuing to investigate the case.
_____________________________________________________________________
(3) The referee blew
his whistle to start the game. It began to pour with rain.
_____________________________________________________________________
(4) Her boyfriend is
very good-looking. He’s a damn good cook.
_____________________________________________________________________
(5) She was absolutely
exhausted. She’s just finished her final exams.
_____________________________________________________________________
(6) You don’t like him.
You want that job. You’ll have to be nice to him.
_____________________________________________________________________
- Read the paragraphs below carefully. Then the topic sentence in
each of them and how you think they could be improved without changing the
content. Then, rewrite them using the changes you think are needed.
- The
book I would choose to take on a desert island is a book called
Frankenstein. It’s an amazing book about a man called Frankenstein who is
a scientist. He’s obsessed with creating life. He creates this monster out
of different body parts. He brings it to life using electricity. The
monster escapes. Frankenstein wants to forget the whole experiment. The
monster tracks him down. He wants revenge. He gets it.
_______________________________________________________________________
- Gordon
Brown took over from Tony Blair as Prime Minister in 2007. It was not an
enviable task. Tony Blair was a master of the media and a good speaker.
Gordon Brown appeared rather clumsy and boring. He was left with Blair’s
unpopular policies. Like the war in Iraq.
_______________________________________________________________________
- For
the Liberal Party the election system is a huge disadvantage. They have
supporters in all parts of the country and in all social classes. They are
the third-largest party. Most of the votes they get are wasted. Their
representation in Parliament is far below their popularity among the
electorate.
_______________________________________________________________________
- The
electoral system is not without its advantages. It usually provides
governments with workable majorities. That makes it easier to carry out
policies. It provides stability. Extremist or special interest parties
have little chance of getting elected. It ensures that each constituent in
the country has a personal representative in Parliament.
______________________________________________________________________